Getting started in event photography is an exciting journey. It is also one of the most reliable ways to make a living with your camera. When I first started bringing my camera to events, I had no idea how massive the demand for professional event photography really was.
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Getting started in event photography is an exciting journey. The demand for professional event photography, especially corporate event photography, is massive right now.
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When a company reaches out to hire a corporate event photographer, it is easy to just say yes, pack your camera bag, and show up. But over the years of shooting events in Antwerp, Brussels, and across Belgium, I have learned that the success of a shoot is decided long before the event begins. You need to know exactly what the client expects. That is where a solid event photography questionnaire comes in.
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Selecting your lenses for event photography can be challenging. What lens should you start with? And should you choose one zoom lens with a wide range, or several prime lenses? I like to answer your questions here.
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Getting hired for corporate event photography is an exciting opportunity, but walking into a bustling venue without a game plan is a recipe for missed moments. Whether you are shooting a massive multi-day conference or handling intimate corporate meeting photography, having a solid plan keeps you focused.
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Corporate event photography is a very specific, fast-paced niche. When I started out studying photography, it was a niche I had never considered, let alone envisioned as my core business.
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Starting photographers are often curious about the exact settings professionals use in different scenarios. It makes sense because understanding these choices gives you a baseline to use whenever you find yourself in a similar situation.
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