If you’re an event photographer too, you know how exhausting those days can get. So how do you even do five of those long days in a row without suffering? In this corporate event photography guide, I’ll walk you through exactly how to survive and thrive.
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After 10 years of making a new Adobe Lightroom catalog for every project, I changed things up: I made one comprehensive catalog for all my work. Corporate portraits, macro photography, family albums, and street photos are all in the same place. Making things easier for me.
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Getting started in event photography is an exciting journey. It is also one of the most reliable ways to make a living with your camera. When I first started bringing my camera to events, I had no idea how massive the demand for professional event photography really was.
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Getting started in event photography is an exciting journey. The demand for professional event photography, especially corporate event photography, is massive right now.
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When a company reaches out to hire a corporate event photographer, it is easy to just say yes, pack your camera bag, and show up. But over the years of shooting events in Antwerp, Brussels, and across Belgium, I have learned that the success of a shoot is decided long before the event begins. You need to know exactly what the client expects. That is where a solid event photography questionnaire comes in.
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Selecting your lenses for event photography can be challenging. What lens should you start with? And should you choose one zoom lens with a wide range, or several prime lenses? I like to answer your questions here.
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Getting hired for corporate event photography is an exciting opportunity, but walking into a bustling venue without a game plan is a recipe for missed moments. Whether you are shooting a massive multi-day conference or handling intimate corporate meeting photography, having a solid plan keeps you focused.
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