Smartphone photography is not a niche. It has become a serious tool for everyday documentation, street photography, and even professional work. Whenever I am walking through the streets of Antwerp or commuting, my phone is the one camera I always have with me.
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When a company reaches out to hire a corporate event photographer, it is easy to just say yes, pack your camera bag, and show up. But over the years of shooting events in Antwerp, Brussels, and across Belgium, I have learned that the success of a shoot is decided long before the event begins. You need to know exactly what the client expects. That is where a solid event photography questionnaire comes in.
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In my eyes, street photography is one of the most creative niches in photography. There are plenty of subjects and techniques to try, and ICM street photography is a perfect example.
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As a photography blogger, I know firsthand how hard it can be to find inspiration for something to write about. You stare at a blank screen, knowing you should publish something, but the words just won’t come.
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We’ve all been there: your vacation or holiday is booked, your flight leaves tomorrow, and you find yourself staring blankly at an open suitcase. Packing for a trip is a delicate balancing act, and it’s easy to forget the things you use every single day.
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Selecting your lenses for event photography can be challenging. What lens should you start with? And should you choose one zoom lens with a wide range, or several prime lenses? I like to answer your questions here.
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Today, I’m joined by Eric Davidove, a street photographer from San Francisco. His work speaks to me for its comedic moments and compositions.