Botswana is arguably the greatest wildlife photography destination on the planet. From the flooded, lily-filled channels of the Okavango Delta to the harsh, predator-rich dust of Savuti, the landscapes here are as diverse as the animals that inhabit them.
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Street photography is probably one of the most popular niches right now. And for good reason. It’s accessible, it’s challenging, and honestly, it’s just a lot of fun. You don’t need a fancy studio.
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If you’re looking for a Dutch city that feels nothing like the postcard-perfect canals of Amsterdam, Rotterdam is your place. It is, without a doubt, one of the most modern cities in the Netherlands.
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Today, I’m joined by Tom Bugatti, a street photographer from Poland, but now based in Hong Kong. His work stood out for its abstract quality and full compositions
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We’ve all been there. You grab your camera, step outside (or look around your living room), and… nothing. The world looks flat, the light feels uninspiring, and every composition feels like something you’ve already shot a thousand times.
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I get asked this a lot. Usually, people look at the effort and the gear, and they wonder: why bother? In a world where everyone has a high-res camera in their pocket, and the internet is flooded with “content,” does the intentional act of photography still have a point?
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When I first started taking photography seriously, I thought the only way to get a “professional” look was to spend hours tethered to a desktop monitor. But as the streets taught me, the best camera is the one you have with you, and the best editing suite is the one in your pocket.
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